Competitive Strategy of Alibaba & Dominos Pizza-Samples for Students

Question: Talk about the Competitive Strategy of Alibaba and Dominos Pizza. Answer: Presentation Serious procedure comprises of plans and techniques to increase serious edge in the market. The current report gives brief depiction of Alibaba and Dominos Pizza. It likewise incorporates the hypothesis of plan of action development of both the organizations and how they have utilized it to make a particular picture in the business. Organization 1: Alibaba Alibaba Company was a B2B undertaking in its underlying years however they expanded their portfolio to ensure that they develop at a quick pace in the market. Chinese market has been encountering a slow move in the innovation and desires for the customers. Alibaba received advancement, authoritative adaptability, data framework and rethinking process for constant turn of events (Business Model Alibaba, 2014). Alibaba has been chosen for the examination since it is the biggest retailer on the planet. They have had the option to catch 80% of the market in China. The organization has been profited by their cost initiative technique which has been great. They have been proactive in their methodology because of their rethinking procedure. Alibaba has had the option to create benefits even at lower overall revenues because of their powerful cost initiative methodology. Their plan of action depends on ceaseless advancement which permits them to make changes in their procedures and systems according to the business condition. They have been utilizing Revenue model development hypotheses in the association (Gnzel and Holm, 2013). It gives a bearing to the association on the grounds that the income system considers the intended interest group, estimating procedure, showcasing, esteem chain and development. They have built up a well structure income plan of action which causes them to achieve the principle goals of the firm. They have been changing their arrangements and ways to deal with permit advancement and improvement. They have guaranteed that they give re-arrangement in their items, administrations and worth blend. They use commercial, advancements, commission, exchange and income membership model (Matzler, Bailom an d Kohler, 2013). They have had the option to endeavor in the online business industry. Aside from this, they have upper hand in the business because of their proactive methodology and first mover advantage. The Revenue model development of Alibaba centers around sharing incomes. It makes it simple for individuals to interface and sell their items through its foundation. Besides, they have guaranteed that they think about the serious condition in the market. Their adaptable plan of action has been gainful for them since they can make changes before different organizations. This has permitted them to make items and administrations according to the requests of the purchasers. They likewise permit their clients to give their input about the items and administrations (Business Model Alibaba, 2014). Despite the fact that the serious contention has been solid in China yet the plan of action of Alibaba has permitted them to make a huge client base. They have had the option to beat in the bu siness when contrasted with different opponents. The principle parts which have helped them to turn into a main online store are serious costs, high data thickness, unwavering quality, most recent innovation and redid administrations (Casadesus Masanell and Zhu, 2013). They have had the option to grow their business to any various nations and their income model has given them advantage in the locale. Organization 2: Dominos Pizza Dominos Pizza is eatery network which has in excess of 13,000 outlets in various nations. They have utilized brand acknowledgment and advancements to increase key upper hand in the business. They have guaranteed that they give great items and adjust to the necessities and inclinations of the customers (Dominos Competitive Strategy, 2013). Dominos Pizza have been utilizing endeavor plan of action which has been useful for them. They have in excess of 10,000 outlets and establishments which covers 70 nations. Dominos Pizza has been chosen for the investigation since they have become a market chief. Their plan of action of establishments and minimal effort foundation has made it increasingly fruitful when contrasted with different contenders (Matzler, Bailom and Kohler, 2013). Dominos has utilized separating focusing on system to make the most of the open doors in the market. They have assortment of items in their portfolio and they have built up the brand with the assistance of serious estimating technique. Moreover, they have had the option to change the worth chain after the appropriation of big business plan of action (Casadesus Masanell and Zhu, 2013). It has permitted them to improve the productivity and nature of the items. They have additionally guaranteed that their business has further information about their clients. It enables the business to display of the organization to develop. Yet, it requires positive organisaitonal culture which has been given by the administration. Their creation, dissemination, the board, contributions and deals have improved. Their systems have helped them to grow their arrive at which has expanded their client base (Gnzel and Holm, 2013). Dominos have utilized a plan of action typology to make changes in their curren t systems and plans. It tends to be utilized for reconfiguration and business advancement. It incorporates surveying the current plan of action, arranging usage and observing of new plan of action. Their flexibly chain has likewise been vertically incorporated which has empowered them to lessen the cost and deal with their assets (Dominos Competitive Strategy, 2013). Alongside this, the new plan of action has essentially improved their conveyance framework and worth conveyance process. Their turnaround time has additionally decreased which has helped them to build the fulfillment level of the shoppers. Their mindfulness and advanced systems have been helpful for them. Different contenders, for example, Papa Jones, Pizza Hut, Greco, and so forth have thought that it was hard to coordinate with the administrations and quality gave by the Dominos. Their model is hard to reproduce for the new organizations and the rivals in the market (Casadesus Masanell and Zhu, 2013). Dominos has ensu red that they proceed to develop and adjust to the changing industry condition. End It very well may be finished up from the over that both Alibaba and Dominos have been performing great as far as rivalry and productivity. They have concentrated on advancement and nonstop turn of events. Alibaba has been following Revenue model development hypothesis in the business. Then again, Dominos has been utilizing endeavor plan of action to exploit in the business. References Plan of action Alibaba. 2014. [Online]. Accessible through: https://groupithq.blogspot.in/2014/10/plan of action of-alibaba.html [Accessed on fifteenth August 2017] Casadesus Masanell, R. furthermore, Zhu, F., 2013. Plan of action development and serious impersonation: The instance of support based plans of action. Vital administration diary, 34(4), pp.464-482. Dominos Competitive Strategy. 2013. [Online]. Accessible through: https://www.forbes.com/locales/halahtouryalai/2013/10/15/innovation not-pizza-enables dominos-to squash contenders and-develop quicker than-mcdonalds-abroad/#53efdeecfdcf [Accessed on fifteenth August 2017] Gnzel, F. also, Holm, A.B., 2013. One size doesn't fit allunderstanding the front-end and back-finish of plan of action advancement. Global Journal of Innovation Management, 17(01), p.1340002. Matzler, K., Bailom, F., Friedrich von lair Eichen, S. what's more, Kohler, T., 2013. Plan of action development: espresso triumphs for Nespresso. Diary of Business Strategy, 34(2), pp.30-37.

Proposal for Quality of Work Life Essay

Presentation HR assume a significant job in accomplishment of an association and along these lines, the board of human asset expect significance. Numerous angles influence the administration of HR. One such angle is Quality of Work Life (QWL). It is a way of thinking, a lot of standards, which holds that individuals are the most significant asset in the association as they are dependable, mindful and fit for making important commitment and they ought to be treated with poise and regard . The components that are applicable to an individual’s nature of work life incorporate the assignment, the physical workplace, social condition inside the association, Administrative framework and connection between life on and off the activity. QWL comprises of Opportunities for dynamic contribution in bunch working game plans or critical thinking that are of shared advantage to representatives or bosses, in light of work the board participation. Individuals additionally imagine QWL as a lot of techniques, for example, self-ruling work gatherings, work enhancement, and high association planned for boosting the fulfillment and efficiency of laborers. It requires representative responsibility to the association and a domain in which this dedication can thrive. In this manner, QWL is an exhaustive build that incorporates an individual’s work related prosperity and the degree to which work encounters are fulfilling, satisfying and without stress and other adverse individual outcomes. As indicated by Gadon (1984), QWL programs have two goals: (a) to upgrade efficiency and (b) to expand the fulfillment of representatives. In this manner QWL gives more beneficial, fulfilled and gainful representatives, which thusly gives effective and productive association. Nature of work life (QWL) is seen as an option in contrast to the control approach of overseeing individuals. The QWL approach considers individuals as a ‘asset’ to the association as opposed to as ‘costs’. It accepts that individuals perform better when they are permitted to partake in dealing with their work and decide. This methodology inspires individuals by fulfilling their financial needs as well as their social and mental ones. To fulfill the new age workforce, associations need to Concentrate on work structures and organizationâ of work. Further, today’s workforce is understanding the Importance of connections and is attempting to find some kind of harmony among vocation and individual lives. Fruitful associations bolster and give offices to their kin to assist them with balancing the scales. In this procedure, associations are thinking of new and inventive plans to improve the nature of work and nature of work life of each person in the association. Different projects like strategic scheduling, elective work routines, compacted work weeks, working from home and so on., are being received by these associations. Mechanical advances further assistance associations to execute these projects effectively. Associations are appreciating the products of actualizing QWL programs as expanded profitability, and an effective, fulfilled, and submitted workforce which intends to accomplish authoritative goals. The future work world will likewise have more ladies business visionaries and they will energize and embrace QWL programs. While there has, for a long time, been a lot of examination into work fulfillment (1), and, all the more as of late, an intrigue has emerged into the more extensive ideas of stress and emotional prosperity (2), the exact idea of the connection between these ideas has still been little investigated. Worry at work is regularly considered in segregation, wherein it is surveyed on the premise that regard for an individual’s stress the executives aptitudes or the wellsprings of stress will demonstrate to give a sufficient premise to viable mediation. On the other hand, work fulfillment might be evaluated, with the goal that move can be made which will upgrade an individual’s execution. Some place in this, there is regularly a familiarity with the more prominent setting, whereupon the home-work setting is thought of, for instance, and different variables, for example, an individual’s individual qualities, and the more extensive monetary or social atmosphere, may be viewed as pertinent. In this unique situation, emotional prosperity is viewed as drawing upon both work and non-work parts of life. In any case, progressively complex models of an individual’s involvement with the working environment frequently seem, by all accounts, to be put aside in an Endeavor to rearrange the way toward attempting to estimating â€Å"stress† or some correspondingly clearly discrete element. It might be, in any case, that the thought of the greater, increasingly complex picture is basic, whenever focused on, viable move is to be made to address nature of working life or any of it’s sub-segments so as to produceâ real benefits, be they for the individual or the association. While Quality of Life has been all the more broadly considered (4), Quality of working life, remains generally unexplored and unexplained. An audit of the writing uncovers generally little on nature of working life. Where nature of working life has been investigated, essayists vary in their perspectives on its’ center constituents. It is contended that the entire is more prominent than the entirety of the parts as respects Quality of working Life, and, hence, the inability to take care of the master plan may prompt the disappointment of intercessions which tackle just a single angle. A more clear comprehension of the between relationship of the different features of nature of working life offers the open door for improved investigation of circumstances and logical results in the workplace†¦.This thought of Quality of working Life as the more noteworthy setting for different factors in the working environment, for example, work fulfillment and stress, may offer open door for more financially savvy intercessions in the work environment. The compelling focusing of pressure decrease, for instance, may somehow or another demonstrate a sad assignment for bosses forced to make a move to meet legislative prerequisites. Targets OF THE STUDY GENERAL OBJECTIVES * To examine the degree of fulfillment of representatives towards the nature of work life. * To contemplate the significance given by the association to nature of work life * To examine appropriate measures to improve the nature of work life. * To recognize the significant territories of disappointment assuming any, and give important proposals Improving the employee’s fulfillment in those zones. * To examine the job and significance of good nature of work life of representatives in an association Explicit OBJECTIVES: * To examine the present and generally speaking nature of work life in theâ organization. * To comprehend the connection among QWL and worker fulfillment. * To contemplate nature of work life contributed for representatives individual and expert turn of events Articulation OF THE PROBLEM The main consideration which has impacted the expanding significance of arrangement of nature of work life is representatives themselves. Laborers are evolving. They have gotten increasingly instructed and autonomous. Close thoughtfulness regarding QWL gives a more acculturated workplace. Thus it is fundamental that each association guarantee that their representatives have a positive nature of work life. Nature of Work Life in an association is basic for the smooth running and accomplishment of its representatives. The nature of work life must be kept up successfully to guarantee that all representatives are running at their pinnacle potential and liberated from anxiety. The Quality of Work Life can influence such things as representatives ‘timings, their work yield, their accessible leaves, and so forth. Nature of Work Life causes the representatives to have a sense of safety and like they are being thought of and thought about by the association where they work. An organization‘s HR office accepts accountability for the successful running of the Quality of Work Life for their representatives. This being the genuine actuality and since there was non-appearance and absence of employment fulfillment among the laborers in an association, the specialist has made an endeavor in such manner and has attempted the present examination to break down the Quality of Work Life in this association and to offer appropriate recommendations for the association to find a way to improve the Quality of Work Life among its Workers. NEED OF THE STUDY There is a much about the quality each perspective viz. quality item, nature of material and inp uts there in, nature of pressing, nature of item advancement and nature of administration. The nature of work life and personal satisfaction, which is urgent perspectives in everyone’s work life. This additionally brings worker fulfillment You can get man’s physical nearness at a given spot, and a deliberate number of talented solid movements every hour or day. Be that as it may, the excitement, activity, euphoria, steadfastness, you can’t get by devotionâ of hearts, brain and spirits. Aside from this on the off chance that the representative is furnished with other outward and inborn advantages, at that point this will lead for high efficiency and results in worker fulfillment as well. To acquaint the hard practices in with the association it is the imperative to have empowering climate. QWL is one of the most significant elements, which prompts such ideal climate. It creates more adapted occupations. It endeavors to serve the higher request needs of workers are HR that are to be grown instead of basically utilized QWL prompts a climate that urges than to improve their ability. It additionally prompts have great relational relations and exceptionally energetic workers who take a stab at their turn of events. QWL will guarantee eagerness workplace with open doors for each one to give is ideal. Such employment will give work fulfillment and pride to the organization. DEFINITIONS Theoretical DEFINITION * According to R.E.WALTON(1973) â€Å"Quality of work life is a procedure by which an association reacts to the representatives requirements for creating components to permit them to share completely in making the decisi

Blog Archive Set the Tone Early and Employ Active Verbs in Your MBA Application Essays

Blog Archive Set the Tone Early and Employ Active Verbs in Your MBA Application Essays As any good journalist will tell you, the key to writing a good newspaper story or opinion piece is to make sure the very first line grabs the reader’s attention. Many authors employ this tactic when writing books. Perhaps few of us have actually read Herman Melville’s  Moby Dick, but many know that the novel begins with three famous words: “Call me Ishmael.” A powerful first line can stick with readers long after they have finished readingâ€"and sometimes even when they have not read something firsthand. For example, we all likely recognize the phrase “It was a dark and stormy night,” but few of us may know that it is the opening line of a book by an obscure writer (Paul Clifford  by Edward George Bulwer-Lytton). Although beginning an essay with a very short introduction is the norm, sometimes a punchy opening line can grab the reader’s attention in a useful way. Consider the differences between these pairs of openers. Which line in each example better captures your attention? Example 1: A “Why MBA?” essay A: “After I graduate with my MBA, I want to work in the wine industry.” B: “Blood runs in the veins of all humans, but wine also runs in mine.” Example 2: A “What are you most passionate about in life?” essay A: “I enjoy nothing more than playing ice hockey.” B: “As soon as the nearby river freezes, I wake at 6 a.m. each day and join my teammates for a prework hockey scrimmage.” No set formula exists for opening linesâ€"the possibilities are endless, and each opener depends on the context of the story being told. Nonetheless, our point is that you must carefully consider your opening line, because it will set the tone for your essay and determine whether your reader will want to read more. Now, let us examine the role of active verbs in your essays. Anyone who has ever written an email that has been misunderstoodâ€"let alone an MBA application essayâ€"is no doubt aware of the subtleties of language and the nuances that can change  a message’s  meaning. Indeed, you can enliven a basic sentence simply by choosing more active verbs. For example, consider the verb “earn.”  By using “earn” rather than a more passive verb in the following examples,  we can alter the meaning and impact of each sentence. Suddenly,  you  are in control. Suddenly,  you  worked hard and, as a result, accomplished great things. Passive/poor example: “I was promoted from junior to senior analyst.” Active/good example: “I earned a promotion from junior to senior analyst.” Passive/poor example: “After being awarded my MBA, I will be able to…” Active/good example: “After earning my MBA, I will be able to…” Once you have finished your application essays, review them to see how often you can replace certain words with “earn” or a similar verbâ€"such as “achieve,” “gain,” and “attain”â€"that denotes action on your part. Share ThisTweet Essays Blog Archive Set the Tone Early and Employ Active Verbs in Your MBA Application Essays As any good journalist will tell you, the key to writing a good newspaper story or opinion piece is to make sure the very first line grabs the reader’s attention. Many authors employ this tactic when writing books. Perhaps few of us have actually read Herman Melville’s  Moby Dick, but many know that the novel begins with three famous words: “Call me Ishmael.” A powerful first line can stick with readers long after they have finished readingâ€"and sometimes even when they have not read something firsthand. For example, we all likely recognize the phrase “It was a dark and stormy night,” but few of us may know that it is the opening line of a book by an obscure writer (Paul Clifford  by Edward George Bulwer-Lytton). Although beginning an essay with a very short introduction is the norm, sometimes a punchy opening line can grab the reader’s attention in a useful way. Consider the differences between these pairs of openers. Which line in each example better captures your attention? Example 1: A “Why MBA?” essay A: “After I graduate with my MBA, I want to work in the wine industry.” B: “Blood runs in the veins of all humans, but wine also runs in mine.” Example 2: A “What are you most passionate about in life?” essay A: “I enjoy nothing more than playing ice hockey.” B: “As soon as the nearby river freezes, I wake at 6 a.m. each day and join my teammates for a prework hockey scrimmage.” No set formula exists for opening linesâ€"the possibilities are endless, and each opener depends on the context of the story being told. Nonetheless, our point is that you must carefully consider your opening line, because it will set the tone for your essay and determine whether your reader will want to read more. Now, let us examine the role of active verbs in your essays. Anyone who has ever written an email that has been misunderstoodâ€"let alone an MBA application essayâ€"is no doubt aware of the subtleties of language and the nuances that can change  a message’s  meaning. Indeed, you can enliven a basic sentence simply by choosing more active verbs. For example, consider the verb “earn.”  By using “earn” rather than a more passive verb in the following examples,  we can alter the meaning and impact of each sentence. Suddenly,  you  are in control. Suddenly,  you  worked hard and, as a result, accomplished great things. Passive/poor example: “I was promoted from junior to senior analyst.” Active/good example: “I earned a promotion from junior to senior analyst.” Passive/poor example: “After being awarded my MBA, I will be able to…” Active/good example: “After earning my MBA, I will be able to…” Once you have finished your application essays, review them to see how often you can replace certain words with “earn” or a similar verbâ€"such as “achieve,” “gain,” and “attain”â€"that denotes action on your part. Share ThisTweet Essays

7 Strange Reading Tools

Reading is a very engaging activity and for the right reasons, when comfortable it ensures a wonderful reading experience. It has been proved that the people that read when most comfortable tend to grasp more of what they are reading and tend to have a clear mindset of what they are reading. There are several tools that are designed just for comfortable reading and they include: 1. Bed books This is the type of a reading kit for a person that loves reading. It is the reading book that you take to bed with you. The books are generally printed sideways so that when you are at the bed rest position you can easily read without much strain. There is no left or right side in this book type so you have very ample time reading from any sleeping position. You do not need to sit upright to read the book. Amazing, isn’t it? 2. Bike book holder Ever heard of Peter Golkin’s quote that says that his two favorite things in life are bicycles and libraries, well, having them combined would be the best gift to him. Now we have bicycles with a bike book holder that you can enjoy reading while cycling around. Designed slightly taller than a book to fit and avoid disturbance by wind, you can enjoy reading at the comfort of your bike. 3. Massaging Bed Rest This is a very one of a kind reading tool kit that is designed for readers while in reading in bed. Massage while reading, â€Å"uuugghhhh† I love how it feels. It is designed to be compatible with any bed size as well as fit many body shapes making it one of a kind reading tool. 4. Clear book weight Clear book weight is a tool designed for readers with a passion for reading. Reading during a windy day involves a lot of holding on to a page, well that is gone. You can read by the beach by just placing the clear book weight on the page that you are reading and enjoy both the reading and the breeze. Also it is good when preparing meals using a recipe when you do not need to be holding on to a page with unclean hands. 5. Pentagonal reading nook This reading nook is almost like a nest. You can sit comfortably or lay in whatever opposition you wish since it has space that you can fit in without much strain. Also the fact that you can support the book by your laps at whichever angle you opt makes it the most amazing tool. It is more convenient more so when you are generally lazing around and feeling the urge to read. 6. Waterproof book cover bath bag This is an â€Å"all weather book† whether reading in the swimming pool, while in the bath tab or even when it is raining, this is a nylon bag that has slots that you put your fingers to flip over the book that you are reading. This reading tool might seem crazy at first but you will never know the fun of it until you have yourself using it and the fun of it will never cease. 7. Reading stand with roll holder Reading while doing your business in the bathroom has become now a reality. This reading tool that is designed to support iPads and tablets that you can read while in the bathroom has proven to be the kind of tool that comes as a surprise too that many people want to own. With its uniqueness and ease of use, it has found itself in many homes worldwide. These reading tools just make reading more fun and involving like never before!

The US Economy

Morocco and Other Cities as Important Spaces to Practice Consumption a Literature review

Essays on Morocco and Other Cities as Important Spaces to Practice Consumption and Construct Identity Literature review The paper â€Å"Morocco and Other Cities as Important Spaces to Practice Consumption and Construct Identity" is a fascinating example of a literature review on social science. Consumption has emerged as a major theme in the modern debates both in the humanities as well as in the social sciences. As a result, every issue in society seems to have an association with the ability to consume. This can be viewed as a reflection of the wider process under which the very basic nature of our society seems to be implanted with consumer ethics (Miles Miles, 2004, p. 2). Similarly, consumption has been perceived as being ideological. This is founded on the fact that consumption plays a central role in the maintenance of social relationships between people and their physical environment. This aspect is evident in the cities or urban centers that have been viewed as spaces to practice consumption or construct of identity. This fact is supported by Zukin (1998, p. 825) who determined that attenti on in the lifestyle in the urban areas has generated new and highly visible consumption spaces. These are epitomized by boutiques, coffee bars, art galleries, cuisine restaurants, and Nouvelles. This has, in turn, generated new and sophisticated retail strategies combining, sales, advertisement, and entertainment as well as real estate development. This has shaped the construction of identity in the metropolitan spaces. Against this backdrop, this paper will focus on interrogating the assumption that cities are important spaces to practice consumption and/or construct identity. This will be discussed with reference to the consumption of populations/identities linked to place with the case study being Morocco which has seen several campaigns trying to sell Morocco as a place to experience the Orient. Thus, the city in this country through its architecture and activities present to the tourists and invites them to consume it in such away.Consumption/construct identity in citiesIn a ge neric sense, a city cannot be simplistically perceived as one great mass of people but instead, it entails diverse groupings of collectives and individual persons. Thus, each city has its own distinct characteristics that emanate from peculiar demographic profiles of the members of the populations inhabiting the city. In addition, it has been cited that the social structure of cities is not characterized by constant stability but instead endowed with extensive dynamism which can be attributed to the historical, cultural, political, economic and environmental factors.Generally speaking, it can be increasingly easy to forget in founding an understanding of consumption in the post-modern epoch that there are considerable linkages that are historical in nature between the cities and consumption. This is robustly based at the core of modernity as pointed out by Miles and Paddison (1998) in their work Urban consumption: A historiographical note.However, Miles (2010, p. 1) determined that the cities in the contemporary world are both were and what we consume. In this regard, the cities have been regarded as nothing more than a space for consumption in which diverse members of the population in the metropolitan spaces seemingly express themselves as citizens of a consumer society. In this regard, consumption lies at the heart of the modern city and as such, the consumption spaces lie at the core of what it denotes to be a citizen of the metropolitan society that people inhabit.

Phases of the Moon free essay sample

New Moon When the Moon is roughly in the same direction as the Sun, its illuminated half is facing away from the Earth, and therefore the part that faces us is all dark: we have the new moon. When in this phase, the Moon and the Sun rise and set at about the same time.Waxing Crescent Moon As the Moon moves around the Earth, we get to see more and more of the illuminated half, and we say the Moon is waxing. At first we get a sliver of it, which grows as days go by. This phase is called the crescent moon.Quarter Moon A week after the new moon, when the Moon has completed about a quarter of its turn around the Earth, we can see half of the illuminated part; that is, a quarter of the Moon. This is the first quarter phase. Also called 1st quarter Moon. We will write a custom essay sample on Phases of the Moon or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Waxing Gibbous Moon During the next week, we keep seeing more and more of the illuminated part of the Moon, and it is now called waxing gibbous (gibbous means humped).Full Moon Two weeks after the new moon, the moon is now halfway through its revolution, and now the illuminated half coincides with the one facing the Earth, so that we can see a full disk: we have a full moon. As mentioned above, at this time the Moon rises at the time the Sunsets, and it sets when the Sun rises. If the Moon happens to align exactly with the Earth and Sun, then we get a lunar eclipse.Waning Gibbous Moon From now on, until it becomes new again, the illuminated part of the Moon that we can see decreases, and we say its waning. The first week after full, it is called waning gibbous.Last Quarter Moon Three weeks after new, we again can see half of the illuminated part. This is usually called last quarter

77001207135540005431155 Essays - Tutankhamun, 2nd Millennium BC

77001207135540005431155 KV62-King Tutankhamun's Tomb The Death Mask of KIng Tut 7900035000 KV62-King Tutankhamun's Tomb The Death Mask of KIng Tut right2300231140 201776009800 2017 King Tutankhamun's Tomb When I was young I loved National Geographic. I loved the photography of places and animals that seemed so foreign as to be almost alien. The March 1977 cover of National Geographic pictured what appeared to be a golden statue from a long-dead king of a wondrous society. It was the death mask of King Tutankhamun. The cover drew me in, and after reading the contents of the issue, I was left unsatisfied. I wanted to know more about ancient Egypt. Such is the power of art. A single image can inspire and change the course of a person's life. That single image spurred in me a desire to learn and discover. On November 6, 1922, British Egyptologist Howard Carter announced that he had made a "wonderful discovery" in the Valley of Kings (James 252). That wonderful discovery was the tomb of the boy king Tutankhamun, hereinafter King Tut. King Tut died unexpectedly at the age of 19 and was entombed in the valley of kings more than 3,300 years ago (Hawass). The tomb was filled with so many items that could be considered works of art that discussing them all would exceed the scope of this paper. So, I will focus on the piece that so captured my imagination when I first saw it. The death mask of King Tut. The tomb was divided into three chambers: an antechamber, a burial chamber, and a treasure chamber. The antechamber was filled with things the pharaoh would need in the next life, such as: funerary beds, chariots, weapons, and even King Tut's underwear. The treasure chamber was filled with what you'd expect, treasure. Unfortunately, the tomb was robbed several times and many of the priceless artifacts were stolen. The burial chamber contained the most famous of all the artifacts in the tomb, King Tut's sarcophagus. When most people think of King Tut's sarcophagus, they picture a giant, roughly human-shaped, golden box, inlaid with jewels. In fact, the sarcophagus is a stone container that contains one or more coffins. In King Tut's tomb, the sarcophagus contained three coffins. The first two were made of gilded wood, and the third coffin was made of solid gold. The images we see of the giant golden coffin are of this third coffin. It weighs 110 kilograms and is adorned with semi-precious stones. Inside this golden coffin rests King Tut's mummy, and the work of art that is the subject of this paper, his death mask. King Tut's death mask is made of solid gold, adorned with colored glass and semi-precious stones, and weighs 11 kilograms. It is adorned with various animals representing god and goddesses that would protect King Tut in the afterlife. Almost every facet of the mask was specifically chosen to represent some aspect of Egyptian religious beliefs. The construction of the mask is remarkable when you consider it was fashioned more than 3,000 years ago. The mask is modular and the metallic pieces are attached to each other with rivets. The mask gives us an idea of what the boy king looked like, but it also tells us another, more interesting story. Detailed analysis of the mask shows that the mask was never originally intended for King Tut. It was designed and intended for Ankhkheperure, better known as Queen Nefertiti. Queen Nefertiti and her husband were widely considered heretics. They broke with the Egyptian tradition of worshipping multiple gods and promoted a monotheistic religion centered around Aten, the sun disk, which angered most of the Egyptian nobility and religious leaders. After Nefertiti's death, there was a concerted effort to erase her and her husband from history. King Tut's death mask was originally designed for Nefertiti, but likely sat unused after she was not afforded a god-queen's burial (Reeves). The mask was then adapted to become King Tut's mask. However, researchers found an inscription bearing Queen Nefertiti's name inside the mask. This work of art revealed a tale fit for an ancient Egyptian soap opera. While some of ancient Egypt's works of art can be attributed to specific sculptors

Political Systems of the Athenians and Egyptians essays

Political Systems of the Athenians and Egyptians essays When comparing the political systems of ancient Egypt and the Athenians, one must consider the differences between the two societies to fully appreciate them. Analyzing them today allows us to identify their separate strengths and weaknesses in comparison to what they have accomplished and/or changed. Ancient Greece was revolutionary in its time, building on theories from earlier societies such as the Middle East and the Egyptians. Athens is perhaps best-known for its democracy, due to the fact that the Ancient Greeks were the inventors of democracy. One of the central features of Athenian democracy was the direct participation of the people, attending assemblies to decide on policies. Known as citizens, these people would meet ten times annually to discuss and make final decisions regarding policies. Everyone in attendance would have a say in how matters would be dealt with. The citizens would govern themselves on monthly and yearly bases. Estimates suggest that there were never more than 50,000 citizens, and a quorum of 6000 citizens was needed to make a decision for citizens rights. This tells us that a substantial number of citizens were involved at any given time, thus being true democracy (Arblaster, 1987). Citizens were chosen by lot. According to Webster, by lot is defined as: an object used in deciding something by chance; also: the use of lots to decide something. This was something completely unique at the time. So as not to infringe on the rights of the people, most offices were filled for limited amounts of time, not allowing any one official to remain in power for too long. Because the people wanted full participation for all, not just the elite, they offered incentives (Arblaster). Namely, wages were introduced to the people who held office, attended assemblies, or who served as jurors. The wages werent much, but they certainly guaranteed participation from the people...

Movie Review of Revolution Example | Topics and Well Written Essays - 750 words

Of Revolution - Movie Review Example The film focuses on their battles and struggles in this war over the next several years such as the Battle of Brooklyn Heights. During the course of the film, Dobbs son is both sheltered by the local Indians as well as captured by the British, only to be rescued by his father. Donald Sutherland appears as Sergeant Major Peasy, a harsh archetype of a British soldier. During his travels Dobbs meets and falls in love with Daisy McConnahay, played by Nastassja Kinski. Daisy comes from a wealthy Torry family, yet she rejects the hypocrisy of the status quo in favor of the revolutionary cause. Along his journey, Tom Dobbs appears at Valley Forge as well as The Battle of Yorktown and its subsequent surrender, which concludes the movie. Revolution creates the character of Tom Dobbs as a microcosm for the real American colonists that were forced by circumstance to fight against British rule. While his character is fictional, the battles he encounters actually were waged. The Battle of Brooklyn christened the Declaration of Independence, and it did result in both the occupation of New York by the British Army for the entire war along with the execution of Nathan Hale (Gallager 1995). Of course, odds are that an individual soldier would have never actually experienced as many significant battles as Tom Dobbs; however, it is his travels that allow the audience the scope of these battles. Furthermore, the film does include the Huron and Iroquois tribes presenting the Indian presence of New York as both friend and foe. Even though the two tribes were enemies, and even though colonists had alliances with the Huron, it is interesting to note that the Hurons also sided with the British during the revolutionary war (www.tola tsga.org). Still by making a fur trapper the protagonist, the film takes on a specific reality, the reality of the common man that fought the Revolutionary War. Other war movies about other wars often focus on the plight of the common man such as Saving Private Ryan. But Revolutionary War movies are unique in that they almost always focus on the reality of a Washington, Adams, or Jefferson. Maybe this is because the reality of the time was that for the most part only wealthy educated individuals documented their experiences. There is in fact a scene in which Tom Dobbs cannot read a list of names in his quest to find Daisy. Thus, the reality was that the majority of the individuals responsible for battling the British were exactly common men, just like the character of Tom Dobbs. The settings in Revolution are a mixed blessing. Sometimes the shots of the English countryside stand in well for the forests of 18th century America. Other times, especially with some of the scenes shot in Norway, the foreign coastline indeed appears foreign and unlike the East Coast of the United States. Nevertheless, some scenes do ring true such as the shot of the British Army staking out their claim of superiority through the use of tents on a hillside only to see their stake washed away by the reality of a morning downpour. The costumes in the movie also seem to reflect quite an attention to detail, especially in the opening scenes of the 18th Century New York citizenry as well as the uniforms

MGMT438 U4P Training Needs Research Paper Example | Topics and Well Written Essays - 500 words

MGMT438 U4P Training Needs - Research Paper Example The training facilitators will use lecture method and videos during training sessions. The lecture method will involve presenting the theoretical concepts of salesmanship to the new salespeople. The content here will include introduction to sales, theories of sales, strategies for approaching customers, and ways of explaining product features to customers. The videos will play real scenarios as they happen in real sales contexts. The training will also use discussion method; these will enable participants to share ideas and facilitate exchange of knowledge and experiences. There will be a final hands-on exam for evaluating the salespeople. The entire training will last for eight days. There will be six facilitators, both from the company and experts from consultant companies. The trainees will be required to sign in their names as they enter the training room. Interested participants will receive emails invitation at least ten days prior to commencement of the training. The participants will be required to confirm their availability by replying to the

Choreography Styles Essay Example for Free

Choreography Styles Essay Dance Dance is a type of art that generally involves movement of the body, often rhythmic and to music. It is performed in many cultures as a form of emotional expression, social interaction, or exercise, in a spiritual or performance setting, and is sometimes used to express ideas or tell a story. Dance may also be regarded as a form of nonverbal communication between humans or other animals, as in bee dances and behaviour patterns such as a mating dances. Definitions of what constitutes dance can depend on social and cultural norms andaesthetic, artistic and moral sensibilities. Definitions may range from functional movement (such as folk dance) to virtuoso techniques such as ballet. Martial arts kataare often compared to dances, and sports such as gymnastics, figure skating andsynchronized swimming are generally thought to incorporate dance. In some cases, themotion of ordinarily inanimate objects may be described as dance (the leaves danced in the wind). There are many styles and genres of dance. African dance is interpretative. Ballet,ballroom and tango are classical dance styles. Square dance and electric slide are forms of step dance, and breakdancing is a type of street dance. Dance can beparticipatory, social, or performed for an audience. It can also be ceremonial,competitive or erotic. Dance movements may be without significance in themselves, as in ballet or European folk dance, or have a gestural vocabulary or symbolic meaning as in some Asian dances. Choreography is the art of creating dances. The person who creates (i.e., choreographs) a dance is known as the choreographer. Ballet Ballet is a type of performance dance that originated in the Italian Renaissance courts of the 15th century and later developed into a concert dance form in France and Russia. It has since become a widespread, highly technical form of dance with its own vocabulary. It has been globally influential and has defined the foundational techniques used in many other  dance genres. Ballet may also refer to a ballet dance work, which consists of thechoreography and music for a ballet production. A well-known example of this is The Nutcracker, a two-act ballet that was originally choreographed by Marius Petipa and Lev Ivanov with a music score by Pyotr Ilyich Tchaikovsky. Stylistic variations have emerged and evolved since the Italian Renaissance. Early variations are primarily associated with geographic origin. Examples of this are Russian ballet, French ballet, and Italian ballet. Later variations include contemporary ballet and neoclassical ballet. Perhaps the most widely known and performed ballet style is late Romantic ballet (or Ballet Blanc), which is a classical style that focuses on female dancers and features pointe work, flowing and precise acrobatic movements, and often presents the female dancers in traditional, short white French tutus. Ballet dance works (ballets) are choreographed and performed by trained artists, and often performed with classical music accompaniment. Early ballets preceded the invention of theproscenium stage and were performed in large chambers with the audience seated on tiers or galleries on three sides of the dance floor. Modern ballets may include mime and acting, and are usually set to music (typically orchestral but occasionally vocal). Ballet requires years of training to learn and master, and much practice to retain proficiency. It has been taught in ballet schools around the world, which have historically used their own cultures to evolve the art. Ballet is the foundation of many types of dance. Etymology The word ballet comes from the French and was borrowed into English around 1630. The French word in turn has its origin in Italianballetto, a diminutive of ballo (dance) which comes from Latin ballo, ballare, meaning to dance,[1][2] which in turn comes from theGreek ÃŽ ²ÃŽ ±ÃŽ »ÃŽ »ÃŽ ¯ÃŽ ¶Ãâ€° (ballizo), to dance, to jump about.[3][4] [edit]History The history of ballet began in the Italian Renaissance courts of the  fifteenth and sixteenth centuries. It quickly spread to the French court of Catherine de Medici where it was further developed. The creation of classical ballet as it is known today occurred under Louis XIV, who in his youth was an avid dancer and performed in ballets by Pierre Beauchamp and Jean-Baptiste Lully. In 1661 Louis founded the Acadà ©mie Royale de Danse (Royal Dance Academy) which was charged with establishing standards for the art of dance and the certification of dance instructors. In 1672, following his retirement from the stage, Louis XIV made Lully the director of the Acadà ©mie Royale de Musique (Paris Opera) in which the first professional ballet company, the Paris Opera Ballet, arose.[5] This origin is reflected in the predominance of French in the vocabulary of ballet. Despite the great reforms of Jean-Georges Noverre in the eighteenth century, ballet went into decline in France after 1830, though it was continued in Denmark, Italy, and Russia. It was reintroduced to western Europe on the eve of the First World War by a Russian company, the Ballets Russes ofSergei Diaghilev, who ultimately influenced ballet around the world. Diaghilevs company became a destination for many of the Russian-trained dancers fleeing the famine and unrest that followed the Bolshevik revolution. These dancers brought back to their place of origin many of the choreographic and stylistic innovations that had been flourishing under the czars. In the 20th century, ballet had a strong influence on broader concert dance. For example, in the United States, choreographer George Balanchine developed what is now known as neoclassical ballet. Subsequent developments include contemporary ballet and post-structural ballet, seen in the work of William Forsythe in Germany. Also in the twentieth century, ballet took a turn dividing it[clarification needed] from classical ballet to the introduction of modern dance, leading to modernist movements[clarification needed] in both the United States and Germany.[6] Styles Classical ballet Classical ballet is based on traditional ballet technique and vocabulary. There are different styles of classical ballet that are related to their  areas of origin, such as French ballet, Italian ballet and Russian ballet. Several of the classical ballet styles are associated with specific training methods, which are typically named after their creators. For example, the Cecchetti method is named after its creator, Italian dancer Enrico Cecchetti. Neoclassical ballet Main article: Neoclassical ballet Neoclassical ballet is a ballet style that conforms to classical ballet technique and vocabulary, but deviates from classical ballet through such differences as unusually fast dance tempos and its addition of non-traditional technical feats. Spacing in neoclassical ballet is usually more modern or complex[clarify] than in classical ballet. Although organization[further explanation needed] in neoclassical ballet is more varied, the focus on structure[clarify] is a defining characteristic of neoclassical ballet. Tim Scholl, author of From Petipa to Balanchine, considers George Balanchines Apollo in 1928 to be the first neoclassical ballet. Apollo represented a return to form in response to Sergei Diaghilevs abstract ballets.[clarification needed] Balanchine worked with modern dance choreographer Martha Graham, expanding his exposure to modern techniques and ideas, and he brought modern dancers into his company (New York City Ballet) such as Paul Taylor, who in 1959 performed in BalanchinesEpisodes. During this time period[when?], Glen Tetley began to experimentally combine ballet and modern techniques. Contemporary ballet Main article: Contemporary ballet Contemporary ballet is a form of dance influenced by both classical ballet and modern dance. It employs the fundamental technique and body control (using abdominal strength) principles of classical ballet but permits a greater range of movement than classical ballet and may not adhere to the strict body lines or turnout that permeate classical ballet technique. Many of its concepts come from the ideas and innovations of 20th century modern dance, including floor work and turn-in of the legs. This ballet style is often performed barefoot. George Balanchine is often considered to have been  the first pioneer of contemporary ballet through the development of neoclassical ballet. One dancer who danced briefly for Balanchine was Mikhail Baryshnikov, an exemplar of Kirov Ballet training. Following Baryshnikovs appointment as artistic director of American Ballet Theatre in 1980, he worked with various modern choreographers, most notably Twyla Tharp. Tharp choreographed Push Comes To Shove for ABT and Baryshnikov in 1976; in 1986 she created In The Upper Room for her own company. Both these pieces were considered innovative for their use of distinctly modern movements melded with the use of pointe shoes and classically trained dancers—for their use of contemporary ballet. Twyla Tharp also worked with the Joffrey Ballet company, founded in 1957 by Robert Joffrey. She choreographed Deuce Coupe for them in 1973, using pop music and a blend of modern and ballet techniques. The Joffrey Ballet continued to perform numerous contemporary pieces, many choreographed by co-founder Gerald Arpino. Today there are many contemporary ballet companies and choreographers. These include Alonzo King and his company, Alonzo Kings Lines Ballet; Complexions Contemporary Ballet, under the direction of Dwight Rhoden; Nacho Duatos Compaà ±ia Nacional de Danza;William Forsythe, who has worked extensively with the Frankfurt Ballet and today runs The Forsythe Company; and Jiřà ­ Kylià ¡n, currently the artistic director of the Nederlands Dans Theater. Traditionally classical companies, such as the Kirov Ballet and the Paris Opera Ballet, also regularly perform contemporary works. Cotillion The cotillion is a type of patterned social dance that originated in France in the 18th century. It was originally made up of four couples in a square formation, the forerunner of thequadrille; in the United States the square dance, where the figures are called aloud by the caller, is a form of rural contredanse that also descended from the urban cotillion. Its name, from French cotillon, petticoat, reflected the flash of petticoats as the changing partners turned. The cotillion, of repeated figures interspersed with changes of different figures to different music,[1] was one of many contredanses where the gathered participants were  able to introduce themselves and to flirt with other dancers through the exchange of partners within the formation network of the dance. By the 19th century, the cotillion evolved to include more couples with many complex dance figures. In British usage, cotillion has disappeared, save in French or historical contexts.[2] Cotillions were introduced in London about 1766[3] by French dancing masters. They came to America in about 1772. There is a reference to a dance in the French manner, implying a cotillon, in John Gays Beggars Opera of 1728, where the low-life characters of London dance in imitation of the fashions of the wealthy. [4] There is also a reference in Robert Burnss 1790 poem, Tam o Shanter, where upon seeing a group of witches and warlocks dancing they are described to the reader as Nae cotillion brent-new frae France. A German cotillion, in contemporary accounts, was reintroduced to New York society at a costume ball with a Louis XV theme given by Mr William Colford Schermerhorn in the early winter of 1854.[5] The Philippine Debut incorporates a Grand Cotillion Dance which is usually a classic waltz. Contra dance Contra dance (also contradance, contra-dance and other variant spellings) refers to several partnered folk dance styles in which couples dance in two facing lines. Sometimes described as New England folk dance, contra dances can be found around the world, though they are especially popular in North America. History At the end of the 17th century, English country dances were taken up by French dancers; hybrid choreographies exist from this period using the steps from French court dance inEnglish dances. The French called these dances contra-dance or contredanse. As time progressed, English country dances were spread and reinterpreted throughout the Western world, and eventually the French form of the name came to be associated with the American folk dances, especially in New England (this Gallicized name change  may have followed a contemporary misbelief that the form was originally French).[1][2] Contra dances were fashionable in the United States until the early to mid-19th century, when they were supplanted in popularity by square dances (such as the quadrille andlancers) and couple dances (such as the waltz and polka). By the late 19th century, square dances too had fallen out of favor, except in rural areas. When squares were revived (around 1925 to 1940, depending on the region), contra dances were generally not included. In the 1930s and 1940s, contra dances appear to have been done only in small towns in widely scattered parts of northeastern North America, such as Ohio, the Maritime provinces of Canada,[3] and particularly northern New England. Ralph Page almost single-handedly maintained the New England tradition until it was revitalized in the 1950s and 1960s, particularly by Ted Sannella and Dudley Laufman. By then, early dance camps, retreats, and weekends had emerged, such as Pinewoods Camp, in Plymouth, Massachusetts, which became primarily a music and dance camp in 1933,[4] and NEFFA, the New England Folk Festival, also in Massachusetts, which began in 1944.[5] These and others continue to be popular and some offer other dancing and activities besides contra dancing. In the 1970s, Sannella and other callers introduced movements from English Country Dance, such as heys and gypsies, to the contra dances. [6] New dances, such as Shadracks Delight by Tony Parkes, featured symmetrical dancing by all couples. (Previously, the actives and inactives —see Progression below— had significantly different roles). Double progression dances, popularized by Herbie Gaudreau,[7] added to the aerobic nature of the dances, and one caller, Gene Hubert, wrote a quadruple progression dance, Contra Madness. Becket formation was introduced, with partners next to each other in the line instead of opposite. The Brattleboro Dawn Dance started in 1976, and continues to run semiannually.[8][9] In the early 1980s, Tod Whittemore started the first Saturday dance in the Peterborough Town House, which remains one of the more popular regional dances.[10] As musicians and callers moved to other locations, they founded contra dances in Michigan, Washington, California, Texas, and elsewhere. Gender-free contra dancing started in the 1970s, with the Boston Lesbian and Gay Folk Dance as perhaps the first group regularly contra dancing without gender roles. In 1981, a group in Minneapolis/St. Paul, MN, called Les be Gay and Dance was  started, in which contra dance was done without any reference to gender, avoiding calling moves with any reference to ladies or gents. In 1987, Chris Ricciotti started a gay dance group in Providence, RI, using the terms ladies and gents although dancers were not lining up according to gender. Other gender-free dance groups started up in the area after that, and in 1989, at the gender-free dance group in Jamaica Plain, MA, a group of dancers led by Janet Dillon protested the use of these terms, and the armband system was devised: the traditionally male-role dancers would wear armbands and be called armbands or just bands, and the traditionally female-role dancers would be called bare arms or just bares.[11] The Lavender Country and Folk Dancers organization now serves as an umbrella organization for dances in Massachusetts, New York, Georgia, and California. Gender-free philosophy can be used almost anywhere conventional traditional dances are currently being held. It is useful for community dances where â€Å"keeping on the correct side† is difficult because of a large gender imbalance, for children’s dances and for groups who want to add a little variety and a creative learning experience to their traditional dance venue. Contra dances are arranged in long paired lines of couples. A pair of lines is called a set. Sets are generally arranged so they run the length of the hall, with the top or head of the set being the end closest to the band and caller. Correspondingly, the bottom or foot of the set is the end farthest from the caller. Couples consist of two people, traditionally but not necessarily one male and one female, referred to as the gent, gentleman or man, and lady or woman. Couples interact primarily with an adjacent couple for each round of the dance. Each sub-group of two interacting couples is known to choreographers as aminor set and to dancers as a foursome or hands four. Couples in the same minor set are neighbors. Minor sets originate at the head of the set, starting with the topmost dancers as the 1s (the active couple or actives); the other couple are 2s (or inactives). The  1s are said to be above their neighboring 2s; 2s are below. If there is an uneven number of couples dancing, the bottom-most couple will wait out the first time through the dance. There are three common ways of arranging dancers in the minor sets: proper formation, improper formation, and Becket formation. There are many additional forms a contra dance may take. Five of them are: triple minor, triplet, indecent, four-face-four, and whole-set. (For diagrams and full descriptions, see Contra Dance Form main article.) Progression A fundamental aspect of contra dancing is that the same dance, one time through which lasts roughly 30 seconds, is repeated over and over but each time you dance with new neighbors. This change is effected by progressing the 1s down the set and progressing the 2sup (also up the hall and down the hall; see Contra Dance Form main article for full characterizations of the progression in the eight dance forms mentioned above). A single dance runs around ten minutes, long enough to progress 15-20 times. If the sets are short to medium length the caller will often try to run the dance until each couple has danced with every other couple both as a 1 and a 2 and returned to where they started. With longer sets (more than ~40 people) this would require long enough sets that the caller will usually only run the dance all the way around on (rare) non equal-turn dances. Choreography Main article: Contra dance choreography Contra dance choreography specifies the dance formation, the figures, and the sequence of those figures in a dance. Notably, contra dance figures (with a few exceptions) do not have defined footwork; within the limits of the music and the comfort of their fellow dancers, individuals move according to their own taste. Most contra dances consist of a sequence of about six to 12 individual figures, prompted by the caller in time to the music as the figures are danced. As the sequence repeats, the caller may cut down his or her prompting, and eventually drop out, leaving the dancers to each other and the music. A figure is a pattern of movement that typically takes eight counts, although figures with four or 16 counts are also common. Each  dance is a collection of figures assembled to allow the dancers to progress along the set (see Progression, above). A count (as used above) is one half of a musical measure, such as one quarter note in 2/4 time or three eighth notes in 6/8 time. A count may also be called a step, as contra dance is a walking form, and each count of a dance typically matches a single physical step in a figure. Typical contra dance choreography comprises four parts, each 16 counts (8 measures) long. The parts are called A1, A2, B1 and B2. This nomenclature stems from the music: Most contra dance tunes (as written) have two parts (A and B), each 8 measures long, and each fitting one part of the dance. The A and B parts are each played twice in a row, hence, A1, A2, B1, B2. While the same music is generally played in, for example, parts A1 and A2, distinct choreography is followed in those parts. Thus, a contra dance is typically 64counts, and goes with a 32 measure tune. Tunes of this form are called square; tunes that deviate from this form are called crooked. Sample contra dances:[18] * Traditional the actives do most of the movement Chorus Jig (Proper duple minor) A1 (16) Actives down the outside and back. [The inactives stand still or substitute a swing] A2 (16) Actives down the center, turn individually, come back, and cast off. [The inactives stand still for the first 3/4, take a step up the hall, and then participate in the cast] B1 (16) Actives turn contra corners. [The inactives participate in half the turns] B2 (16) Actives meet in the middle for a balance and swing, end swing facing up. [The inactives stand still] Note: inactives will often clog in place or otherwise participate in the dance, even though the figures do not call for them to move. * Modern the dance is symmetrical for actives and inactives Hay in the Barn by Chart Guthrie (Improper duple minor) A1 (16) Neighbors balance and swing. A2 (8) Ladies chain across, (8) Half hey, ladies pass right shoulders to start. B1 (16) Partners balance and swing. B2 (8) Ladies chain across, (8) Half hey, ladies pass right shoulders to start. Many modern contra dances have these characteristics[19]: * longways for as many as will * first couples improper, or Becket formation * flowing choreography * no-one stationary for more than 16 beats (e.g. First Couple Balance Swing, finish facing down to make Lines of Four) * containing at least one swing and normally both a partner swing and a neighbour swing * 95% of the moves from a set of well-know moves that the dancers know already * comprised mostly of moves that keep you connected to the other dancers * generally danced to 32 bar jigs or reels played at between 110 and 130 bpm * danced with a smooth walk with lots of spins and twirls An event which consists primarily (or solely) of dances in this style is sometimes referred to as a Modern Urban Contra Dance. Music The most common contra dance repertoire is rooted in the Anglo-Celtic tradition as it developed in North America. Irish, Scottish,French Canadian, and Old-time tunes are common, and Klezmer tunes have also been used. The old-time repertoire includes very few of the jigs common in the others. Tunes used for a contra dance are nearly always square 64-beat tunes, in which one time through the tune is each of two 16-beat parts played twice (this is notated AABB). However, any 64-beat tune will do; for instance, three 8-beat parts could be played AABB AACC, or two 8-beat parts and one 16-beat part could be played AABB CC. Tunes not 64 beats long are called crooked and are almost never used for contra dancing, although a few crooked dances have been written as novelties. Until the 1970s it was traditional to play a single tune for the duration of a contra dance (about 5 to 10 minutes). Since then, contra dance musicians have typically played tunes in sets of two or three related (and somet imes contrasting) tunes, though single-tune dances are again becoming popular with some northeastern bands. In the Celtic repertoires it is common to change keys with each tune. A set might start with a tune in G, switch to a tune in D, and end with a tune in Bm. Here, D is related to G as its dominant (5th), while D and Bm (dorian) share a key signature of two sharps. In the old-time tradition the musicians will either play the same tune for the whole dance, or switch to tunes in the same key. This is because the tunings of the banjo are  key-specific. An old-time band might play a set of tunes in D, then use the time between dances to retune for a set of tunes in A. (Fiddlers also may take this opportunity to retune; tune- or key-specific fiddle tunings are uncommon in American Anglo-Celtic traditions other than old-time.) In the Celtic repertoires it is most common for bands to play sets of reels and sets of jigs. However, since the underlying beat structure of jigs and reels is the same (two counts per bar) bands will occasionally mix jigs and reels in a set. In recent years, younger contra dancers have begun establishing crossover contra or techno contra contra dancing to techno, hip-hop, and other modern forms of music. While challenging for DJs and callers, the fusion of contra patterns with moves from hip-hop, tango, and other forms of dance has made this form of contra dance a rising trend since 2008; it has become especially prevalent in Asheville, NC, but regular techno contra dance series are spreading up the East Coast to locales such as Charlottesville, VA, Washington, DC, Amherst, MA, and Greenfield, MA, with one-time or annual events cropping up in locations further West, including California and Washington state.

Canadas Aid To Third World Countries :: essays research papers

Canada's Aid to Third World Countries What are some of the major problems faced by "Third World" Countries today? Who should be held responsible for these problems? Why? What has Canada done to help "Third World Countries"? There has always been a dominant country in the world that sets the economic standard throughout powerful countries. Canada has always been a top rated economic country, usually behind the United States and other large Commonwealth countries. Starting back in the early to mid 60's, Prime Minister of Canada, Pierre Trudeau decided to use Canadian revenue as foreign aid. These included "Third World". Some of the major problems faced by "Third World" countries today include poor towns which have had a lack of food sources due to the serious poverty, lack of clean drinking water, lack of good sanitation systems, lack of good living conditions, lack of jobs and there is no industry, therefore no import or export revenue. The governments of the "Third World" countries have done horrible jobs of creating good living conditions for their people and in all have not tried to bring their country out of their economic slump. As Canada entered it second century, Prime Minister Trudeau called for a complete review of Canada's foreign policy. Starting in 1968 interested Canadians including politicians, journalists, professors, business leaders, financial experts, as well as church and labour leaders were invited to offer opinions and advice in what was called the Trudeau Review. The ending of this meeting brought about six foreign policy booklets which outlined the benefits of Canadian foreign aid. Some of these benefits included to help the Canadian economy grow stronger, to keep Canada independent, to work for peace and security, to promote fairness and equality for everyone and to improve living conditions for all people throughout the world. The Canadian foreign policy review suggested that Canada strengthened it's ties with Latin America. Trudeau visited Mexico, Cuba and Venezuela in 1976. Canada's trade with Latin America increased from $1099 million in 1970 to $3418 million in 1976. Also Canada gave an increasing amount of development funds to a number of Latin American countries. Canada, in 1973 had a major concern about the middle east and made an effort to bring about a lasting peace to the Arab-Israeli conflict. 1050 Canadian military specialists became part of the United Nations emergency force where they tried to maintain a cease fire by providing supplies, transportation and communication during the 1973 peacekeeping role. The Trudeau foreign policy review recommended that Canada was to work hard to support the United Nations and make it an effective organization for

Play and Game Essay

The title of this article kind of makes it seem like I’m about to encourage you to cheat, but that’s not what I’m here to do. I’m here to tell you what you can do when it comes to poker that allows you to get ahead of the game. While some of these tips might not be necessarily applicable to online poker, for poker where you are sitting around a table, these tips can tip the scales into your favor. Know the People If you find yourself at a table somewhere where you don’t know the other players, take a little time to know the tendencies of each player. One might only bet big if he has a good hand, one might be very hesitant no matter what card he has and the other might flick his hair when he is lying. Every single person at that table has a ‘tell’ for when they have something good or for when they are bluffing, especially in Poker, when you are all trying to beat each other. Take some time, get to know the people at the table and even get them talking. It could create a way in which you can win more money, just from being able to read the other players. Be conscious of your own tells If you have the chance, play a friendly game of Poker and have a friend watch you as you play. Have them after the game tell them what you are doing in the way of body movement depending on the hand you are on. It’s extremely important to know what you do, and be able to stop it. Especially if you know you touch your face when you might be able to use this to your advantage in ways I don’t even want to explain. While these two tips don’t work online, they can change the balance in your favor during an offline game of poker. Just Give Up If it is not your night, if you have been fighting with your significant other, just don’t play. Whether offline or online you might feel the urge to do so, but try to resist. While it might act as your stress reliever; your mind will not focus on the game and in a game where your money is on the line, this is a serious issue. From here you have to make sure to change any habit that you think is costing you money, whether that is staying up until 3 in the morning to play and feeling fatigued while playing or not drinking enough water. If you feel you aren’t in peak Physical condition, don’t bother playing. It’ll end up being a waste of time and money. Know the Rules; Know the Hands. In Poker, the best hand is a four of a kind and an ace combination. That is the best possible hand (figuratively) but the probability of getting it is very low. Know this when you go into a game and you will see your play improve dramatically. Know what you can have and what your opponents can have. Use probability and their reactions to make sure that if you are going into a hand that you can win, but going into a hand that is a calculated risk and has a chance of winning is better than hoping for the best. Just watch your play and keep everything in mind. Poker is as much a game of outwitting your opponent as staying mentally sharp yourself. You have to know what to do and when to do it. You have to make sure you are watching your own play as well as others. You have to know when to ‘hold’em’ and when to ‘fold’em’ Author Bio: Jeremy Henderson is an expert in all forms of poker and this is possibly because he is so passionate about the game. His expertise has helped him win at a number of tournaments and in turn he has made a comfortable living playing the game. He is also a voracious reader and an avid writer.

The Second Largest Immigrant Group Coming Into The United...

Ever since the end of the Vietnam War; Vietnamese immigrants have become the sixth largest immigrant group coming into the United States. Due to factors such as persecution, and government upheaval during the mid-1970’s to the late 1990’s. With three major waves of refugees or immigrants comprise the majority of those coming into the country. With a small, steady flow between each major wave. Even though the first group did have advantages that other immigrant group would not have, they would still struggle to be accepted within the United States. The second group would face an even more difficult time assimilating into the United States. They would consist of refugees that had very little resources compared to the first wave. They did not have access to the same levels of education, or were capable of speaking English like the first wave of immigrants. The third wave would still face difficulties, but had more resources when they arrived in the United States. Many of t he immigrants of the third wave consisted of family members of people already here in the United States. They had access to a support system, unlike those that were part of the second wave. Even though they have become part of society, they still face adversity like many other immigrant groups. Ever since the Mid-1970’s the immigrants from Vietnam; have become the sixth largest group to immigrate to the United States right behind Mexico, India, China, Philippines, and El Salvador (Zong and Batalova). WhenShow MoreRelatedThe End Of The Vietnam War1380 Words   |  6 Pagesthe end of the Vietnam war; Vietnamese immigrants have become the sixth largest immigration group coming in to the United States. Due to factors such as persecution, and government upheaval during the mid-1970’s to the late 1990’s. With three major waves of refugees, or immigrants comprise the majority of those coming in to the country. With a small steady flow between each major wave. 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